Emma Watson
Chile, 1973. General Augusto Pinochet stages a coup against the democratically elected Salvadore Allende and rounds up radicals, opponents, students and left-wing activists. That’s the story we all know. In the film Colonia, German director Florian Gallenberger turns our attention to a sidebar — the rise of Pinochet mirrored by the dark faux-Christian cult led by an ex-Nazi, headquartered in a fenced-off commune in a rural setting and specialising in brainwashing young people into mindless zombies. The dictatorship of the state fuels the dictatorship of the mind, and vice versa. It should have been a good story, only that, as told here, it is not.